Showcasing some of his finest songs in
their most stripped down form (he is accompanied by a violinist, an
oboist and a cellist but rarely more than one) he dances from piano
to ukulele to harp to viola, his voice soaring easily over the
all-familiar notes. Playing tracks as early as 'Tristan' right
through to 'Time of My Life' and 'House' from his 2011 album
'Lupercalia', he shows a care and love for all the music that he has
created.
Although the acoustic has worked better
on some songs than others ('Hard Times' is much less powerful than
the original) others are infused with a new warmth and meaning, such
as 'Oblivion' and 'Paris'. 'London', too, has perhaps improved under
a more mature touch – Wolf himself admits to reconnecting with the
song saying 'I used to not like it, but now I do.'
Despite technical hitches, Wolf
remained unfazed and the audience unperturbed, laughing at a failed
visual. After forgetting how a song went he joked 'You're never
going to want to come to any of my concerts again.'
After cutting an ambitious 25-track set
list with the help of the audience, he finishes with a heartfelt
version of 'Teignmouth' before his encore, the inevitable but no less
enjoyable 'Magic Position'.
At the end of this ten year journey
Wolf has proved himself to be a strong performer and a flexible and
talented musician. This tour and record are the perfect celebration
of everything that has come so far.
The support was called Abi Wade and she was amazing, playing cello, percussion and singing all at the same time. She is definitely worth a listen (click here).

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